Description

This original relief print is small in size (3″ x 4″), but mighty in message.  It comes to you in an 8″ x 10″ black wooden frame with white mat.  The work is part of Hope McMath’s #100DaysofHope2018 series, that involves Hope creating a work of art everyday, reflecting on the historic moments, political events, and personal reflections that dominated the final months of 2018 and early 2019.


Trash. It is a noun that means rubbish…ideas and objects with little or no value…waste. It is also a word used to describe a disreputable person…lowest of the low. It is also a verb…meaning to destroy, damage and wreak. All of this seems appropriate at this moment when overflowing trash bins have become a symbol for the shutdown of the federal government and the man responsible for the lies and fear mongering that have invented a crisis. The trash is piling high and not just within the boundaries of our national parks. The clean up will occur, but how long will it take and what damage will be done in the meantime? For right now it simply reeks.

About the Series
“I will give myself time and creative space each and everyday to reflect on the issues that matter to me most as I look for hope. And this isn’t a blind hope of unfettered optimism, but a hope that is based in truth, understanding, love, equity, and the actions that will bring a brighter future,” says Hope McMath.  “Who knows what each day will bring (which reflects the general climate we find ourselves in)…images, words, my thoughts, beauty, anger, fear, and the wisdom of others. They will all be in my favorite medium of relief printmaking and will be more about process than product. I love carving and printing, but don’t give enough time to it.  My HOPE is to find joy and meaning in the challenge of making a print everyday and to find some sanity in this season of chaos. I also HOPE that by posting them I will spin some thoughts and motivation into the world, and maybe spark some dialogue and action.”

Each work is printed in a limited edition of 10.  The first of each edition of 100 works can be seen at Yellow House.